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    <title>ABT Luxury — Art</title>
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    <description>Where fashion meets art: commissioned sets, sculptural pieces, artist collaborations, and what gallery language does to a runway presentation.</description>
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      <title>Inside Fashion Week&apos;s Set-Design Economy, From Louis Vuitton to Miu Miu</title>
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      <description><![CDATA[Houses now budget runway sets as art installations meant to outlast a single show, from Es Devlin's inverted theater staging for Louis Vuitton in Avignon to artist-built commissions at Miu Miu and Dior.]]></description>
      <pubDate>Mon, 10 Aug 2026 08:38:37 GMT</pubDate>
      <dc:creator>Ida Dahl</dc:creator>
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      <title>How a Museum Keeps a Runway Dress Alive for a Century</title>
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      <description><![CDATA[Lux-hours, custom mannequins, decades of darkness: how museum conservation keeps runway garments alive — and why the famous dress is usually off display.]]></description>
      <pubDate>Tue, 14 Jul 2026 12:00:00 GMT</pubDate>
      <dc:creator>Ida Dahl</dc:creator>
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      <title>The Show Became a Film: How the Pandemic Broke the Runway&apos;s Monopoly</title>
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      <description><![CDATA[How the 2020 shutdown promoted the fashion film from experiment to standard format — and why live shows returned anyway as the season's second language.]]></description>
      <pubDate>Tue, 16 Jun 2026 12:00:00 GMT</pubDate>
      <dc:creator>Emily Carter</dc:creator>
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      <title>Avedon and Penn: How Fashion Photographs Entered the Museum</title>
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      <description><![CDATA[Penn's grey stillness, Avedon's white voids: how two mid-century photographers made fashion images museum art — and set today's visual defaults.]]></description>
      <pubDate>Fri, 29 May 2026 12:00:00 GMT</pubDate>
      <dc:creator>Ida Dahl</dc:creator>
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      <title>Wearable Statements: How Viktor &amp; Rolf Made Couture Say Things Out Loud</title>
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      <description><![CDATA[Framed gowns, sentences stitched as embroidery: how Viktor & Rolf made haute couture argue out loud — and museums collect the argument.]]></description>
      <pubDate>Mon, 11 May 2026 12:00:00 GMT</pubDate>
      <dc:creator>Emily Carter</dc:creator>
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      <title>The Designer Who Deleted His Signature: Margiela&apos;s Anonymity as Method</title>
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      <description><![CDATA[Blank white labels, no bows, no face: how Maison Martin Margiela turned the absence of the author into fashion's most influential gesture.]]></description>
      <pubDate>Tue, 14 Apr 2026 12:00:00 GMT</pubDate>
      <dc:creator>Emily Carter</dc:creator>
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      <title>Iris van Herpen Prints Couture: The Dress as Sculpture, Solved Digitally</title>
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      <description><![CDATA[Iris van Herpen joined Paris couture in 2011 with 3D printing and laser cutting beside the hand — how 'new craft' earned couture's official calendar.]]></description>
      <pubDate>Thu, 26 Mar 2026 12:00:00 GMT</pubDate>
      <dc:creator>Ida Dahl</dc:creator>
      <category>Art</category>
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      <title>One Piece of Cloth: Issey Miyake&apos;s Engineering Career in Fashion</title>
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      <description><![CDATA[Pleats Please, A-POC and 132 5.: how Issey Miyake ran fashion's great research lab, from heat-set pleats to computational folding.]]></description>
      <pubDate>Sun, 08 Mar 2026 12:00:00 GMT</pubDate>
      <dc:creator>Emily Carter</dc:creator>
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      <title>The Lobster Dress: How Elsa Schiaparelli Put Surrealism on the Body</title>
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      <description><![CDATA[Elsa Schiaparelli's 1937 lobster dress with Dalí founded the conceptual fashion object — how Surrealism became a working method in couture.]]></description>
      <pubDate>Wed, 18 Feb 2026 12:00:00 GMT</pubDate>
      <dc:creator>Ida Dahl</dc:creator>
      <category>Art</category>
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      <title>Two Robots, One Dress: Inside Alexander McQueen&apos;s No. 13</title>
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      <description><![CDATA[Alexander McQueen's spring 1999 finale — robots spray-painting a dress on a rotating model — remains fashion's clearest case for runway as performance art.]]></description>
      <pubDate>Sat, 31 Jan 2026 12:00:00 GMT</pubDate>
      <dc:creator>Ida Dahl</dc:creator>
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      <title>How the Met&apos;s Costume Institute Turns a Runway Into an Exhibition</title>
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      <description><![CDATA[The Met's Costume Institute holds about 35,000 garments and can barely show any of them — how conservation rules shape fashion's museum life.]]></description>
      <pubDate>Tue, 13 Jan 2026 12:00:00 GMT</pubDate>
      <dc:creator>Emily Carter</dc:creator>
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